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Entertainment Reviews
“Tincture” by Sean Owens PDF Print E-mail
Written by Barry Gaines   
last updated Wednesday, February 28, 2007, at 11:14:33
Is turquoise a green or a blue? Can the color orange be separated from the eponymous fruit? Can a color have morality? Is there hope for taupe? Questions like these are addressed in Sean Owens’s clever six-woman play “Tincture” (2003) at SolArts.

 

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Review -- Santa Fe Opera PDF Print E-mail
Written by D.S. Crafts   
last updated Wednesday, February 28, 2007, at 10:58:44
The Tempest of Shake-speare is a play of the profoundest magic. By nearly every reckoning, Stratfordian and Oxfordian alike, this was either the author’s last play or nearly so. The simple plot of a shipwreck and restoration of justice for ancient wrongs belies the psychological complexities, which only the master’s poetry can illuminate. Thus when a reinterpretation of this classic work appears, expectations are naturally high.

 

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Dance Review: Maria Benitez, Yesterday, Today and Tomorrow PDF Print E-mail
Written by Jennifer Noyer   
last updated Wednesday, February 28, 2007, at 09:11:24
Maria Benitez returned to the stage this week, after a two year interlude, in a video and live performance retrospective titled Yesterday, Today and Tomorrow. The concert Friday evening at The Lodge in Santa Fe featured Benitez as both narrator and dancer, interacting with video images of earlier performances that spanned three decades of her career. Dancers from her Teatro Flamenco moved with her, in and out of Benitez's signature dances after brief video segments from the original performances. Benitez described this program as a work-in-progress to be completed in 2007.

 

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Review: “Yemaya’s Belly” by Quiara Alegria Hudes PDF Print E-mail
Written by Barry Gaines   
last updated Wednesday, February 28, 2007, at 11:15:24
Working Classroom, according to their mission statement, “provide[s] professional development opportunities for talented young artists and actors from historically ignored communities and collaborate[s] to create art for and about our diverse communities.” Funded by a myriad of governmental agencies, foundations, and sponsors, Working Classroom is staging “Yemaya’s Belly” by Quiara Alegria Hudes at the South Broadway Cultural Center. The play is too much for them.

 

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Review: “The Seven: Games People Play” PDF Print E-mail
Written by Barry Gaines   
last updated Wednesday, February 28, 2007, at 11:17:29
The Fusion Theatre Company presents “The Seven: Games People Play,” ten-minute plays selected from over 70 submissions nationwide—an intriguing theatrical smorgasbord. The one-acts are connected by theme and linked by Brent Stevens’ clever sound design. Some plays are better described as sketches.

 

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About Reviewers 

D.S. Crafts (Website)

Composer Daniel Steven Crafts came to New Mexico from San Francisco where he had hosted a classical music radio program on KPFA. His first commission from opera star Jerry Hadley, "The Song & the Slogan" based on texts by Carl Sandburg was made into a TV program for the PBS network winning an Emmy for Best Music.

His opera La Llorona, a collaboration with novelist Rudolfo Anaya will be presented by the National Hispanic Cultural Center in October, 2008.

In 2007 the New Mexico Symphony commissioned him to write the commemoration piece for its 75th anniversary. Collaborating with cartoonist Shannon Wheeler, he created the satiric/comic opera Too Much Coffee Man which premiered in 2006.

His music has been recorded by the Kiev and Czech Philharmonics and the Prague Radio Symphony Chorus and Orchestra for the Masterworks of the New Era series available on the ERM label. Two CDs of his music, Contemporaries (short, satirical keyboard works) and ARIAS (excerpts from operas) have been released on the BACAT label.


David Steinberg

David Steinberg has covered state government, the courts, city and county government in Santa Fe for the Albuquerque Journal.

He's been an arts writer for the past 20 years, and serves as the book editor, for the Journal.

Over the years, he's also acted in plays, sung in choruses and played trumpet.


Jennifer Noyer

Jennifer Noyer has been writing dance reviews for the Albuquerque Journal for 17 years, as well as contributing articles for Dance Magazine and other art journals. She trained in dance with Hanya Holm in New York City and Colorado Springs, and studied several dance techniques at the graduate level at the University of Michigan. After teaching dance at Wayne State University she entered and completed a Masters Degree in Humanities there.

In New Mexico Ms. Noyer has taught, directed, and choreographed contemporary dance for several years. Her writing on dance includes a monograph accompanying the video of choreographer Bill Evens’ ballet “The Legacy.” An overview of Evans’s world wide career, it was written and published during his tenure at the University of New Mexico.

Ms. Noyer’s studies in the humanities, and her studio dance work influence her approach to dance as an integrative art form in the United States.


Barry Gaines

Barry Gaines has taught Shakespeare in the University of New Mexico English Department for over twenty-five years and has received two outstanding teaching awards.

He has written theater reviews for the Journal since 2000. He has attended theater all over the world including Shakespeare productions in Russia, South Africa, Denmark, and Poland. He has also served as literary advisor for two professional theater companies and written performance reviews for Shakespeare Quarterly.

Gaines has taken two years of acting with Paul Ford and appeared in small parts in three plays at the Albuquerque Little Theater. He believes that he is probably a better reviewer than actor.


Joanne Sheehy Hoover

Joanne Sheehy Hoover, music critic emeritus of the Albuquerque Journal, has written for NPR, PBS, the Lyric Opera of Chicago, the National Endowment for the Arts and the National Symphony, among others.

She has also been a music lecturer for the Smithsonian Associates and a music critic and arts writer for The Washington Post. She was director of the Levine School of Music, one of the country’s largest community music schools, in Washington, D. C. 1980-1993.

She and her husband moved to Corrales, New Mexico in July 1993. Also a poet, her fifth collection, “Einstein in New Mexico,” was published in 2002.


Marissa Greenberg

Marissa Greenberg is a member of the faculty of the University of New Mexico English Department, where she teaches Shakespeare and early English literature. A prior guest reviewer for the Albuquerque Journal, Greenberg will be reviewing theater while Barry Gaines is out of town. She also composed and edited the program notes for last year’s Albuquerque Shakespeare Festival and has written performance reviews for Shakespeare Bulletin.

A graduate of Columbia University and the University of Pennsylvania, Greenberg has been performing and studying drama for most of her life. She is thrilled to have this opportunity to review for the Journal.

 

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