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Entertainment Reviews
Review: Morning’s at Seven by Paul Osborn (Nov. 3) PDF Print E-mail
Written by Barry Gaines   
Saturday, 03 November 2007
Picture, if you can, a Norman Rockwell cover on an issue of “True Confessions” magazine. That should get you in the mood for “Morning’s at Seven” by Paul Osborn now playing at the Adobe Theater.
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Review-NMSO (Oct. 27) PDF Print E-mail
Written by D.S. Crafts   
Saturday, 27 October 2007
Lots of Hungary with a hefty side-helping of merry England—that was the menu
for this week's Classics Concert for the New Mexico Symphony Orchestra. Elgar's
Cockaigne Overture was followed by the Liszt Piano Concerto No. 1 with guest
soloist Arnaldo Cohen topped off by Bela Bartok's Concerto for Orchestra. 
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Review: The Lieutenant of Inishmore by Martin McDonagh (Oct. 27) PDF Print E-mail
Written by Barry Gaines   
Saturday, 27 October 2007

The Lieutenant of Inishmore” presented by FUSION Theatre Company is the comically gruesome story of a man and his cat that only Irish playwright of the macabre Martin McDonagh could envision. The Cell Theatre production of this searing satire is the blackest of humor, an early Halloween gift enacted with gory glee by an excellent cast under the grisly guidance of director Jacqueline Reid.
 

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Review: Colorado Symphony (Oct. 23) PDF Print E-mail
Written by D.S. Crafts   
Tuesday, 23 October 2007

There were definitely some speed limits broken in Santa Fe on Monday night. Pianist Jeffrey Kahane now the Music Director of the Colorado Symphony brought his orchestra to the stage of the Lensic Performing Arts Center for some of the fastest Mendelssohn one is ever likely to hear. Entitled Rocky Mountain Heights, the concert was the third of the Great Performances series hosted by the Santa Fe Concert Association. In a program that also featured the Symphony No. 5 of Tchaikovsky, the first half was all Mendelssohn--the Overture to the Legend of the Fair Melusine followed by the Piano Concerto No. 2 with Kahane both conducting and performing the solo part.

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Review: Pro Musica (Oct. 20) PDF Print E-mail
Written by D.S. Crafts   
Saturday, 20 October 2007

The music that we so conveniently lump together as Baroque is actually comprised of different styles from many countries written over several centuries. Vehement and bitter academic wars were pitched over the differences—-differences which to our modern ears are often difficult to detect. But to the people of the era the styles were as blatantly distinct as say, minimalism and neo-Romanticism in modern times.
 

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About Reviewers 

D.S. Crafts (Website)

Composer Daniel Steven Crafts came to New Mexico from San Francisco where he had hosted a classical music radio program on KPFA. His first commission from opera star Jerry Hadley, "The Song & the Slogan" based on texts by Carl Sandburg, was made into a TV program for the PBS network and aired nationally in 2004 and won an Emmy for Best Music.

His latest opera La Llorona is a collaboration with novelist Rudolfo Anaya based on his play "The Season of La Llorona."

Mr. Crafts is currently working on another commission from Jerry Hadley for a piece about the American Southwest which includes texts by Rudolfo Anaya and V.B. Price.

Two CDs of his music, Contemporaries (short, satirical keyboard works) and ARIAS (excerpts from his various operas) have been released on the BACAT label in San Francisco.


David Steinberg

David Steinberg has covered state government, the courts, city and county government in Santa Fe for the Albuquerque Journal.

He's been an arts writer for the past 20 years, and serves as the book editor, for the Journal.

Over the years, he's also acted in plays, sung in choruses and played trumpet.


Jennifer Noyer

Jennifer Noyer has been writing dance reviews for the Albuquerque Journal for 17 years, as well as contributing articles for Dance Magazine and other art journals. She trained in dance with Hanya Holm in New York City and Colorado Springs, and studied several dance techniques at the graduate level at the University of Michigan. After teaching dance at Wayne State University she entered and completed a Masters Degree in Humanities there.

In New Mexico Ms. Noyer has taught, directed, and choreographed contemporary dance for several years. Her writing on dance includes a monograph accompanying the video of choreographer Bill Evens’ ballet “The Legacy.” An overview of Evans’s world wide career, it was written and published during his tenure at the University of New Mexico.

Ms. Noyer’s studies in the humanities, and her studio dance work influence her approach to dance as an integrative art form in the United States.


Barry Gaines

Barry Gaines has taught Shakespeare in the University of New Mexico English Department for over twenty-five years and has received two outstanding teaching awards.

He has written theater reviews for the Journal since 2000. He has attended theater all over the world including Shakespeare productions in Russia, South Africa, Denmark, and Poland. He has also served as literary advisor for two professional theater companies and written performance reviews for Shakespeare Quarterly.

Gaines has taken two years of acting with Paul Ford and appeared in small parts in three plays at the Albuquerque Little Theater. He believes that he is probably a better reviewer than actor.


Joanne Sheehy Hoover

Joanne Sheehy Hoover, music critic emeritus of the Albuquerque Journal, has written for NPR, PBS, the Lyric Opera of Chicago, the National Endowment for the Arts and the National Symphony, among others.

She has also been a music lecturer for the Smithsonian Associates and a music critic and arts writer for The Washington Post. She was director of the Levine School of Music, one of the country’s largest community music schools, in Washington, D. C. 1980-1993.

She and her husband moved to Corrales, New Mexico in July 1993. Also a poet, her fifth collection, “Einstein in New Mexico,” was published in 2002.

 

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