Home Entertainment Reviews Review: “For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf” by Ntozake Shange
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Review: “For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf” by Ntozake Shange |
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Written by Barry Gaines
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Monday, 23 July 2007 |
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“For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf” is a profoundly personal yet powerfully universal “choreopoem” by African-American poet/playwright Ntozake Shange performed at the Desert Rose Playhouse.
In the Xhosa language of the Zulu, Ntozake Shange means “she who comes with her own things and walks like a lion” and the name (unfortunately left off of the opening night program) was adopted by Paulette Williams in 1971 after an unhappy marriage led her to attempt suicide. Her experiences as a woman of color, a dancer, and a poet led to her development of the twenty poems that comprise “For Colored Girls,” and the play reached Broadway in 1976. I saw it that year and was strongly moved, despite being neither female nor black. The Desert Rose set is a simple black box, and the seven unnamed characters wear a rainbow of colorful tops with dark slacks or skirts. The actors take turns relating their experiences either alone on stage or with other players responding. It is unfair to compare this production with my thirty-plus-year-old Broadway memories of dazzling colors, rhythmic intensity, and emotional excitement. Still, this presentation, directed by Alisia Downing (who also joins the cast as Shange did in the 70s), emphasizes the poetic aspect of the “choreopoem” rather than the dance portion. Shange specifies explicit musical accompaniment (“‘Dancing in the Streets’ by Martha and Vandellas,” “The Dells singing ‘Stay’”) and often calls for the group to dance. The “choreopoem” cries out for constant rhythm and movement. This said, the Desert Rose production has relevance and impact. Maria Teresa Herrera (Lady in Yellow) tells a funny tale of her graduation night and the back seat of a Buick. Danielle S Fleming (Purple) and Montserrat Castro (Orange) have effective monologues, and Lauren Poole (Green) provides insight with the wonderful poem, “someone almost walked off wid alla my stuff.” Director Downing (Red) dances well and is strong in the harrowing story of Crystal and Beau Willy. Carmen Prince (Blue) brings sassy attitude to her contributions, and Gwen B Sedillo gives dignity and authority to her roles. The poems explore the dangers of love, the pain of rejection (there is a strong riff on men’s endless apologies: “didnt nobody stop usin my tears to wash cars cuz a sorry”), rape and other horrific violence, yet the play ends with a strong sense of survival and sisterhood. There were missed light cues and rushed readings—opening night jitters—but the play’s vigor prevails. If You Go WHAT: “For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf” by Ntozake Shange WHEN: Fridays and Saturdays at 8 p.m. and Sundays at 4 p.m. through August 5 WHERE: The Desert Rose Playhouse, 6921-E Montgomery NE HOW MUCH: $10 general public. Call 881-0503 for ticket information
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About Reviewers D.S. Crafts (Website) Composer Daniel Steven Crafts came to New Mexico from San Francisco where he had hosted a classical music radio program on KPFA. His first commission from opera star Jerry Hadley, "The Song & the Slogan" based on texts by Carl Sandburg, was made into a TV program for the PBS network and aired nationally in 2004 and won an Emmy for Best Music. His latest opera La Llorona is a collaboration with novelist Rudolfo Anaya based on his play "The Season of La Llorona." Mr. Crafts is currently working on another commission from Jerry Hadley for a piece about the American Southwest which includes texts by Rudolfo Anaya and V.B. Price. Two CDs of his music, Contemporaries (short, satirical keyboard works) and ARIAS (excerpts from his various operas) have been released on the BACAT label in San Francisco.
David Steinberg David Steinberg has covered state government, the courts, city and county government in Santa Fe for the Albuquerque Journal. He's been an arts writer for the past 20 years, and serves as the book editor, for the Journal. Over the years, he's also acted in plays, sung in choruses and played trumpet.
Jennifer Noyer Jennifer Noyer has been writing dance reviews for the Albuquerque Journal for 17 years, as well as contributing articles for Dance Magazine and other art journals. She trained in dance with Hanya Holm in New York City and Colorado Springs, and studied several dance techniques at the graduate level at the University of Michigan. After teaching dance at Wayne State University she entered and completed a Masters Degree in Humanities there. In New Mexico Ms. Noyer has taught, directed, and choreographed contemporary dance for several years. Her writing on dance includes a monograph accompanying the video of choreographer Bill Evens’ ballet “The Legacy.” An overview of Evans’s world wide career, it was written and published during his tenure at the University of New Mexico. Ms. Noyer’s studies in the humanities, and her studio dance work influence her approach to dance as an integrative art form in the United States.
Barry Gaines Barry Gaines has taught Shakespeare in the University of New Mexico English Department for over twenty-five years and has received two outstanding teaching awards. He has written theater reviews for the Journal since 2000. He has attended theater all over the world including Shakespeare productions in Russia, South Africa, Denmark, and Poland. He has also served as literary advisor for two professional theater companies and written performance reviews for Shakespeare Quarterly. Gaines has taken two years of acting with Paul Ford and appeared in small parts in three plays at the Albuquerque Little Theater. He believes that he is probably a better reviewer than actor.
Joanne Sheehy Hoover Joanne Sheehy Hoover, music critic emeritus of the Albuquerque Journal, has written for NPR, PBS, the Lyric Opera of Chicago, the National Endowment for the Arts and the National Symphony, among others. She has also been a music lecturer for the Smithsonian Associates and a music critic and arts writer for The Washington Post. She was director of the Levine School of Music, one of the country’s largest community music schools, in Washington, D. C. 1980-1993. She and her husband moved to Corrales, New Mexico in July 1993. Also a poet, her fifth collection, “Einstein in New Mexico,” was published in 2002.
Marissa Greenberg Marissa Greenberg is a member of the faculty of the University of New Mexico English Department, where she teaches Shakespeare and early English literature. A prior guest reviewer for the Albuquerque Journal, Greenberg will be reviewing theater while Barry Gaines is out of town. She also composed and edited the program notes for last year’s Albuquerque Shakespeare Festival and has written performance reviews for Shakespeare Bulletin. A graduate of Columbia University and the University of Pennsylvania, Greenberg has been performing and studying drama for most of her life. She is thrilled to have this opportunity to review for the Journal.
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