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Home arrow Entertainment Reviews arrow Review: “High Dive” by Leslie Ayvazian (July 28)
Review: “High Dive” by Leslie Ayvazian (July 28) PDF Print E-mail

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Written by Barry Gaines   
Saturday, 28 July 2007

During moments of intense stress, it is said that life passes before one’s eyes. In my case, this happened when I was sitting on a table in front of a UNM class—trying to look cool—when I realized that two table legs were collapsing and I was sliding toward the floor. In Leslie Ayvazian’s “High Dive,” playing at the Vortex, audiences have a chance to watch someone else’s life pass by.

 

The playwright/narrator, three weeks away from her fiftieth birthday, finds herself on a Greek hotel diving board encouraged by family members to overcome her acrophobia and to drop twelve feet to the pool below.  Vacations are not among Leslie’s favorite things. Hesitating on the diving board, she recalls her honeymoon in Hawai’i when the earth moved—because of a hurricane. And a frigid Florida trip when waves propelled frozen fish on shore. And an earthquake in Mexico. Yet she keeps embracing adventure, “because I imagine that I am, perhaps without my knowing it, a person who would like to do that.” She doesn’t.  Armenian-American Leslie Ayvazian wrote and performed “High Dive” in 2001. Before the show she recruited audience members to read bits of dialogue during the performance, explaining that, “I have always wanted to do a one-person show with a large cast.”

At the Vortex Leslee (different spelling) Richards plays the accident-prone tourist under the direction of Tish Miller. Script pages are again passed out to attendees, but this production also uses actors in the audience to read some parts. Diana Dorland speaks for the mother-in-law, Drew Pollock for the adventurous husband, and Harry Zimmerman for the increasingly obnoxious eleven-year-old son. In the performance I saw, not a cue was missed.  Richards relates Ayvazian’s retrospective with charming ease. With her short, curly auburn hair (the same color as the playwright’s) and light sprinkling of freckles, Richards is immediately accessible and likeable. The stories she tells of her blind date/motorcycle wreck, her work at VISTA (Volunteers in Service to America), her stints installing cable TV, working props and costumes at a dinner theater, and appearing on “$25,000 Pyramid” are all warm and funny.

This hour of theater is not profound, but it is enjoyable. It gives a new meaning to the expression “look before you leap.”

If You Go 

WHAT: “High Dive” by Leslie Ayvazian 

WHEN: Friday and Saturday at 8 p.m., Sunday at 6 p.m. through August 5 

WHERE: The Vortex Theatre, 2004½ Central, SE

HOW MUCH: $12. Reservations 247-8600

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About Reviewers 

D.S. Crafts (Website)

Composer Daniel Steven Crafts came to New Mexico from San Francisco where he had hosted a classical music radio program on KPFA. His first commission from opera star Jerry Hadley, "The Song & the Slogan" based on texts by Carl Sandburg, was made into a TV program for the PBS network and aired nationally in 2004 and won an Emmy for Best Music.

His latest opera La Llorona is a collaboration with novelist Rudolfo Anaya based on his play "The Season of La Llorona."

Mr. Crafts is currently working on another commission from Jerry Hadley for a piece about the American Southwest which includes texts by Rudolfo Anaya and V.B. Price.

Two CDs of his music, Contemporaries (short, satirical keyboard works) and ARIAS (excerpts from his various operas) have been released on the BACAT label in San Francisco.


David Steinberg

David Steinberg has covered state government, the courts, city and county government in Santa Fe for the Albuquerque Journal.

He's been an arts writer for the past 20 years, and serves as the book editor, for the Journal.

Over the years, he's also acted in plays, sung in choruses and played trumpet.


Jennifer Noyer

Jennifer Noyer has been writing dance reviews for the Albuquerque Journal for 17 years, as well as contributing articles for Dance Magazine and other art journals. She trained in dance with Hanya Holm in New York City and Colorado Springs, and studied several dance techniques at the graduate level at the University of Michigan. After teaching dance at Wayne State University she entered and completed a Masters Degree in Humanities there.

In New Mexico Ms. Noyer has taught, directed, and choreographed contemporary dance for several years. Her writing on dance includes a monograph accompanying the video of choreographer Bill Evens’ ballet “The Legacy.” An overview of Evans’s world wide career, it was written and published during his tenure at the University of New Mexico.

Ms. Noyer’s studies in the humanities, and her studio dance work influence her approach to dance as an integrative art form in the United States.


Barry Gaines

Barry Gaines has taught Shakespeare in the University of New Mexico English Department for over twenty-five years and has received two outstanding teaching awards.

He has written theater reviews for the Journal since 2000. He has attended theater all over the world including Shakespeare productions in Russia, South Africa, Denmark, and Poland. He has also served as literary advisor for two professional theater companies and written performance reviews for Shakespeare Quarterly.

Gaines has taken two years of acting with Paul Ford and appeared in small parts in three plays at the Albuquerque Little Theater. He believes that he is probably a better reviewer than actor.


Joanne Sheehy Hoover

Joanne Sheehy Hoover, music critic emeritus of the Albuquerque Journal, has written for NPR, PBS, the Lyric Opera of Chicago, the National Endowment for the Arts and the National Symphony, among others.

She has also been a music lecturer for the Smithsonian Associates and a music critic and arts writer for The Washington Post. She was director of the Levine School of Music, one of the country’s largest community music schools, in Washington, D. C. 1980-1993.

She and her husband moved to Corrales, New Mexico in July 1993. Also a poet, her fifth collection, “Einstein in New Mexico,” was published in 2002.


Marissa Greenberg

Marissa Greenberg is a member of the faculty of the University of New Mexico English Department, where she teaches Shakespeare and early English literature. A prior guest reviewer for the Albuquerque Journal, Greenberg will be reviewing theater while Barry Gaines is out of town. She also composed and edited the program notes for last year’s Albuquerque Shakespeare Festival and has written performance reviews for Shakespeare Bulletin.

A graduate of Columbia University and the University of Pennsylvania, Greenberg has been performing and studying drama for most of her life. She is thrilled to have this opportunity to review for the Journal.

 

 


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