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Home arrow Entertainment Reviews arrow Review: The Lieutenant of Inishmore by Martin McDonagh (Oct. 27)
Review: The Lieutenant of Inishmore by Martin McDonagh (Oct. 27) PDF Print E-mail

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Written by Barry Gaines   
Saturday, 27 October 2007

The Lieutenant of Inishmore” presented by FUSION Theatre Company is the comically gruesome story of a man and his cat that only Irish playwright of the macabre Martin McDonagh could envision. The Cell Theatre production of this searing satire is the blackest of humor, an early Halloween gift enacted with gory glee by an excellent cast under the grisly guidance of director Jacqueline Reid.
 

Ireland has a history of violent rebellion, and “The Lieutenant of Inishmore” takes that violence to impossible extremes as the stage and walls run red with blood, dead men are hacked and mutilated (compare “The Sopranos”), and murder stimulates sexual passion. And the audience can’t stop laughing! The title character is 21-year-old “Mad Padraic,” a terrorist so vicious that the IRA wouldn’t let him join “because he was too mad.” We meet Padraic nonchalantly torturing James, who is hanging upside down. As Padraic is about to slice off a nipple and feed it to his victim, his father calls to inform him his cat, Wee Thomas, is “poorly.” Padraic is reduced to tears at the threat to his “best friend in the world” In fact, Wee Thomas’s brains have been bashed out as Padraic learns when he returns to his Inishmore home. The play revolves around the expanding violence surrounding revenge for dead cats. The bizarre plot is ingeniously constructed, and the ending includes the reversals and twists that mark McDonagh’s other work.

Special Effects Master Steve Tolin provides a realistic array of exploding wounds, dismembered heads and limbs, and decapitated cats. The three villains killed by Padraic and his BB gun moll Mairead are humorously portrayed by Bruce Holmes, Aaron Worley, and Will Peebles. Each character is an individual thanks to Jacqueline Reid’s direction. Zane Baker earns special commendation for his convincing rendition of James, the inverted torture victim. Jen Grigg is filled with butch attitude as Mairead, although she plays older than her character’s 16 years. William Sterchi is masterful as Padraic’s father Donny. His face is comic silly putty. Justin Lenderking as Davey, Mairead’s brother, interacts well with Sterchi in their scenes of frightened, overlapping dialogue. They are hilarious as they await death at Padraic’s hands. (When interrupted, Padraic apologizes to his visitors, “I’m just in the middle of shooting me dad.”) As Padraic, FUSION regular Ross Kelly gives another exceptional portrayal. He makes his character’s essential madness seem normal, even humdrum. His stage presence is commanding yet appears effortless. The characters keep speaking of the “principle” behind what they are saying and doing; indeed, it is “principle” that keeps much of the world in the turmoil of political violence, as McDonagh’s farce demonstrates.

“The Lieutenant of Inishmore” by Martin McDonagh at The Cell, 700 First Street NW, 8 p.m. Thursday, Friday and Saturday; 2 p.m. Sunday through November 18. General public $25; seniors, students $20. Reservations 766-9412

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About Reviewers 

D.S. Crafts (Website)

Composer Daniel Steven Crafts came to New Mexico from San Francisco where he had hosted a classical music radio program on KPFA. His first commission from opera star Jerry Hadley, "The Song & the Slogan" based on texts by Carl Sandburg, was made into a TV program for the PBS network and aired nationally in 2004 and won an Emmy for Best Music.

His latest opera La Llorona is a collaboration with novelist Rudolfo Anaya based on his play "The Season of La Llorona."

Mr. Crafts is currently working on another commission from Jerry Hadley for a piece about the American Southwest which includes texts by Rudolfo Anaya and V.B. Price.

Two CDs of his music, Contemporaries (short, satirical keyboard works) and ARIAS (excerpts from his various operas) have been released on the BACAT label in San Francisco.


David Steinberg

David Steinberg has covered state government, the courts, city and county government in Santa Fe for the Albuquerque Journal.

He's been an arts writer for the past 20 years, and serves as the book editor, for the Journal.

Over the years, he's also acted in plays, sung in choruses and played trumpet.


Jennifer Noyer

Jennifer Noyer has been writing dance reviews for the Albuquerque Journal for 17 years, as well as contributing articles for Dance Magazine and other art journals. She trained in dance with Hanya Holm in New York City and Colorado Springs, and studied several dance techniques at the graduate level at the University of Michigan. After teaching dance at Wayne State University she entered and completed a Masters Degree in Humanities there.

In New Mexico Ms. Noyer has taught, directed, and choreographed contemporary dance for several years. Her writing on dance includes a monograph accompanying the video of choreographer Bill Evens’ ballet “The Legacy.” An overview of Evans’s world wide career, it was written and published during his tenure at the University of New Mexico.

Ms. Noyer’s studies in the humanities, and her studio dance work influence her approach to dance as an integrative art form in the United States.


Barry Gaines

Barry Gaines has taught Shakespeare in the University of New Mexico English Department for over twenty-five years and has received two outstanding teaching awards.

He has written theater reviews for the Journal since 2000. He has attended theater all over the world including Shakespeare productions in Russia, South Africa, Denmark, and Poland. He has also served as literary advisor for two professional theater companies and written performance reviews for Shakespeare Quarterly.

Gaines has taken two years of acting with Paul Ford and appeared in small parts in three plays at the Albuquerque Little Theater. He believes that he is probably a better reviewer than actor.


Joanne Sheehy Hoover

Joanne Sheehy Hoover, music critic emeritus of the Albuquerque Journal, has written for NPR, PBS, the Lyric Opera of Chicago, the National Endowment for the Arts and the National Symphony, among others.

She has also been a music lecturer for the Smithsonian Associates and a music critic and arts writer for The Washington Post. She was director of the Levine School of Music, one of the country’s largest community music schools, in Washington, D. C. 1980-1993.

She and her husband moved to Corrales, New Mexico in July 1993. Also a poet, her fifth collection, “Einstein in New Mexico,” was published in 2002.


Marissa Greenberg

Marissa Greenberg is a member of the faculty of the University of New Mexico English Department, where she teaches Shakespeare and early English literature. A prior guest reviewer for the Albuquerque Journal, Greenberg will be reviewing theater while Barry Gaines is out of town. She also composed and edited the program notes for last year’s Albuquerque Shakespeare Festival and has written performance reviews for Shakespeare Bulletin.

A graduate of Columbia University and the University of Pennsylvania, Greenberg has been performing and studying drama for most of her life. She is thrilled to have this opportunity to review for the Journal.

 

 


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