Home Entertainment Reviews Review: Beyond Therapy by Christopher Durang (April 12)
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Review: Beyond Therapy by Christopher Durang (April 12) |
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Written by Barry Gaines
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Saturday, 12 April 2008 |
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Christopher Durangs "Beyond Therapy" (1981) is a time capsule of the psychobabble associated with theories of self-motivation and self-actualization popular during the 1970s and 80s. The production at The Desert Rose Playhouse, Yannig Morins first directorial undertaking, is fast paced and pleasantly wacky.
Dr. Phil and his Hows that workin for you? approach to pop psychology may use different terms, but individual angst has not changed much in the last thirty years. And people are still searching for relationships. Durangs screwball play is a series of blackout skits that begins in the restaurant called The Restaurant where Bruce and Prudence first meet. She has responded to his personals ad, and both are attempting to apply the advice of their psychotherapists. She is insecure and urged by her therapist to stop looking for perfection. He is a proclaimed bisexual in a yearlong relationship with Bob; his therapist has urged him to open himself emotionally and to take risks. When he demonstrates his sensitivity by weeping, she responds: I dont think men should cry unless something falls on them. To judge by the drinks they toss in each others faces, the date doesnt go well, but they are soon back together. We next meet the therapists. Prudence sees Stuart who seduced her on her second visit and brags about his sexual prowess despite her evidence to the contrary. Bruce depends on Charlotte who sees herself as the doctor in Equus who champions passionate acting out against bland conformity. She also confuses words (porpoise for patient, thermidor for therapy, dirigible for secretary) and often expresses emotions through her Snoopy hand puppet. Ruben Muller delivers Stuarts outrageous lines effectively, but he does not have much dimension in the role. Andie Rigler does more with the part of Charlotte. She gets progressively zanier as the play advances. Clearly these counselors need counseling. By comparison, the patients are rather normal. Benjamin Liberman displays a controlled intensity as Bruce. His performance reminds me of the young Gene Wilder in its emotional extremes and vulnerability. Evan Gardey uses apt facial expressions to convey Bobs consternation. Lori Uebelhart is an appealing Prudence. She, too, projects vulnerability despite her prejudices and pronouncements. Notwithstanding the plays farcical nature, I found myself rooting for her happiness. Beyond Therapy is a funny treatment of some serious issues. If You Go WHAT: Beyond Therapy by Christopher Durang WHEN: Fridays and Saturdays at 8 p.m. and Sundays at 4 p.m. through April 20 WHERE: The Desert Rose Playhouse, 6921-E Montgomery NE HOW MUCH: $12. Call 881-0503 for ticket information
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About Reviewers D.S. Crafts (Website) Composer Daniel Steven Crafts came to New Mexico from San Francisco where he had hosted a classical music radio program on KPFA. His first commission from opera star Jerry Hadley, "The Song & the Slogan" based on texts by Carl Sandburg, was made into a TV program for the PBS network and aired nationally in 2004 and won an Emmy for Best Music. His latest opera La Llorona is a collaboration with novelist Rudolfo Anaya based on his play "The Season of La Llorona." Mr. Crafts is currently working on another commission from Jerry Hadley for a piece about the American Southwest which includes texts by Rudolfo Anaya and V.B. Price. Two CDs of his music, Contemporaries (short, satirical keyboard works) and ARIAS (excerpts from his various operas) have been released on the BACAT label in San Francisco.
David Steinberg David Steinberg has covered state government, the courts, city and county government in Santa Fe for the Albuquerque Journal. He's been an arts writer for the past 20 years, and serves as the book editor, for the Journal. Over the years, he's also acted in plays, sung in choruses and played trumpet.
Jennifer Noyer Jennifer Noyer has been writing dance reviews for the Albuquerque Journal for 17 years, as well as contributing articles for Dance Magazine and other art journals. She trained in dance with Hanya Holm in New York City and Colorado Springs, and studied several dance techniques at the graduate level at the University of Michigan. After teaching dance at Wayne State University she entered and completed a Masters Degree in Humanities there. In New Mexico Ms. Noyer has taught, directed, and choreographed contemporary dance for several years. Her writing on dance includes a monograph accompanying the video of choreographer Bill Evens’ ballet “The Legacy.” An overview of Evans’s world wide career, it was written and published during his tenure at the University of New Mexico. Ms. Noyer’s studies in the humanities, and her studio dance work influence her approach to dance as an integrative art form in the United States.
Barry Gaines Barry Gaines has taught Shakespeare in the University of New Mexico English Department for over twenty-five years and has received two outstanding teaching awards. He has written theater reviews for the Journal since 2000. He has attended theater all over the world including Shakespeare productions in Russia, South Africa, Denmark, and Poland. He has also served as literary advisor for two professional theater companies and written performance reviews for Shakespeare Quarterly. Gaines has taken two years of acting with Paul Ford and appeared in small parts in three plays at the Albuquerque Little Theater. He believes that he is probably a better reviewer than actor.
Joanne Sheehy Hoover Joanne Sheehy Hoover, music critic emeritus of the Albuquerque Journal, has written for NPR, PBS, the Lyric Opera of Chicago, the National Endowment for the Arts and the National Symphony, among others. She has also been a music lecturer for the Smithsonian Associates and a music critic and arts writer for The Washington Post. She was director of the Levine School of Music, one of the country’s largest community music schools, in Washington, D. C. 1980-1993. She and her husband moved to Corrales, New Mexico in July 1993. Also a poet, her fifth collection, “Einstein in New Mexico,” was published in 2002.
Marissa Greenberg Marissa Greenberg is a member of the faculty of the University of New Mexico English Department, where she teaches Shakespeare and early English literature. A prior guest reviewer for the Albuquerque Journal, Greenberg will be reviewing theater while Barry Gaines is out of town. She also composed and edited the program notes for last year’s Albuquerque Shakespeare Festival and has written performance reviews for Shakespeare Bulletin. A graduate of Columbia University and the University of Pennsylvania, Greenberg has been performing and studying drama for most of her life. She is thrilled to have this opportunity to review for the Journal.
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