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Home arrow Entertainment Reviews arrow Review: Pajaros de Mi Sangre by Don Garcia (April 19)
Review: Pajaros de Mi Sangre by Don Garcia (April 19) PDF Print E-mail

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Written by Barry Gaines   
Saturday, 19 April 2008

"Words Afire,” the annual UNM Festival of New Plays, has begun in the Center for the Arts. The first production at Rodey is “Pajaros de Mi Sangre” (“Birds of My Blood”) by Don Garcia.
 

The play is a loose, very loose, adaptation of “The Birds” by Greek comic playwright Aristophenes. The main connection to the ancient Greek play is the dead birds and feathers incessantly falling onto the stage. Playwright Garcia seems to be shooting the bird. Garcia’s play is a partially-scripted “happening,” a raucous celebration of the foibles of the inhabitants of Northern New Mexico, the “Norteños folks.” The plot is based on the 1967 unsuccessful raid by Reyes Lopez Tijerina on the courthouse of Tierra Amarilla. Tijerina hoped to return land to the rightful Spanish heirs as established by the Treaty of Guadalupe Hidalgo. Within this framework, Garcia creates funny characters and situations in his beloved northern New Mexico. The humor is self deprecating, full of inside jokes that the opening night audience loved.

Tijerina is played with pseudo-seriousness by Eddie Andino. He speaks with an “Antonio Banderas accent” that gets laughs with its exaggerated pronunciations. Tijerina’s disciple is hapless Eppie, comically portrayed by Barney Lopez. Lopez delivers the cadences of the local speech patterns well. Eppie is an orphan searching for his brother whom he discovers in Chopito, whose drunken zeal is played by Andy Brooks. Brothers Jose and Spider are an unlikely combination. Jose (Ismael Antar) is a deputy sheriff and Spider (Miguel Martinez) a jailbird. The two fight over land. Hoopiana represents the local court’s authority, provocatively portrayed by Magdelene Gallegos. Other characters are the drunken deputy Sammy V (Darryl DeLoach) and freethinking Elsie (Tara Brown). Padre Desanti, played by Tom Eply, seeks land for a retreat for wayward priests adjacent to a camp for problem boys. The situation would by funny if it weren’t so true.

Director Scott Vehill’s hand is difficult to find in the seemingly undisciplined performance. Dialogue is often ad libbed, and actors occasionally step out of character. Miguel Martinez, playing Spider, complains that he is actually Puerto Rican, not Mexican. When he has trouble digging up a buried object in the forestage dirt, he excoriates the actor who hid it. At one point cast members directly question the playwright who is in the audience. The set design by Justin Townsend—that includes a real onstage tree—is wonderful. Garcia’s play is enjoyable, especially if you speak “tierra (dirt) language” since the laugh-lines are usually in Spanish.

If You Go WHAT: “Pajaros de Mi Sangre” by Don Garcia

WHEN: Sunday, April 20, at 2 p.m. and Friday, April 25, at 7 p.m.

WHERE: Rodey Theatre, UNM Center for the Arts

HOW MUCH: $15 general public, $10 faculty, staff, seniors, and $8 students. Call 925-5858 for ticket information

 

 

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About Reviewers 

D.S. Crafts (Website)

Composer Daniel Steven Crafts came to New Mexico from San Francisco where he had hosted a classical music radio program on KPFA. His first commission from opera star Jerry Hadley, "The Song & the Slogan" based on texts by Carl Sandburg, was made into a TV program for the PBS network and aired nationally in 2004 and won an Emmy for Best Music.

His latest opera La Llorona is a collaboration with novelist Rudolfo Anaya based on his play "The Season of La Llorona."

Mr. Crafts is currently working on another commission from Jerry Hadley for a piece about the American Southwest which includes texts by Rudolfo Anaya and V.B. Price.

Two CDs of his music, Contemporaries (short, satirical keyboard works) and ARIAS (excerpts from his various operas) have been released on the BACAT label in San Francisco.


David Steinberg

David Steinberg has covered state government, the courts, city and county government in Santa Fe for the Albuquerque Journal.

He's been an arts writer for the past 20 years, and serves as the book editor, for the Journal.

Over the years, he's also acted in plays, sung in choruses and played trumpet.


Jennifer Noyer

Jennifer Noyer has been writing dance reviews for the Albuquerque Journal for 17 years, as well as contributing articles for Dance Magazine and other art journals. She trained in dance with Hanya Holm in New York City and Colorado Springs, and studied several dance techniques at the graduate level at the University of Michigan. After teaching dance at Wayne State University she entered and completed a Masters Degree in Humanities there.

In New Mexico Ms. Noyer has taught, directed, and choreographed contemporary dance for several years. Her writing on dance includes a monograph accompanying the video of choreographer Bill Evens’ ballet “The Legacy.” An overview of Evans’s world wide career, it was written and published during his tenure at the University of New Mexico.

Ms. Noyer’s studies in the humanities, and her studio dance work influence her approach to dance as an integrative art form in the United States.


Barry Gaines

Barry Gaines has taught Shakespeare in the University of New Mexico English Department for over twenty-five years and has received two outstanding teaching awards.

He has written theater reviews for the Journal since 2000. He has attended theater all over the world including Shakespeare productions in Russia, South Africa, Denmark, and Poland. He has also served as literary advisor for two professional theater companies and written performance reviews for Shakespeare Quarterly.

Gaines has taken two years of acting with Paul Ford and appeared in small parts in three plays at the Albuquerque Little Theater. He believes that he is probably a better reviewer than actor.


Joanne Sheehy Hoover

Joanne Sheehy Hoover, music critic emeritus of the Albuquerque Journal, has written for NPR, PBS, the Lyric Opera of Chicago, the National Endowment for the Arts and the National Symphony, among others.

She has also been a music lecturer for the Smithsonian Associates and a music critic and arts writer for The Washington Post. She was director of the Levine School of Music, one of the country’s largest community music schools, in Washington, D. C. 1980-1993.

She and her husband moved to Corrales, New Mexico in July 1993. Also a poet, her fifth collection, “Einstein in New Mexico,” was published in 2002.

 

 


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