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Home arrow Entertainment Reviews arrow Review: Aurora by Leonard Madrid (April 19)
Review: Aurora by Leonard Madrid (April 19) PDF Print E-mail

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Written by Barry Gaines   
Saturday, 19 April 2008

The second evening of "Words Afire," the New Play Festival at UNM, brought another adaptation of a classical Greek play set in northern New Mexico.
 

In “Aurora” student playwright Leonard Madrid combines plot devices from Euripides’s “Alcestis” with Christian myth and local folklore. On Justin Townsend’s stunning set director Scott Vehill places the equivalent of the Greek chorus, four women clad in colorful Mexican-style costumes designed by Shannon Simpson. Played by Damiana Miller, Catie Reardon, Juliane Flores, and Samantha Emord, the women are sometimes locals rehearsing for Mass and other times Queens of Heaven. Unfortunately, they are often seated too far upstage, making them difficult at times to hear and understand. Aurora, (Lila Martinez) has reclaimed her husband Adelino (Shannon Flynn) and molded him into “the town’s best man.” She also tenderly cares for Hermin, her orphaned nephew. Hermin has an older brother Solito, and both are obsessed with the characters and plots of “Star Trek.” Michael Ellis, too young to be a UNM student, plays Hermin, while Paul Brennan is Solito. The two actors seem to be in two different plays. Brennan projects his dialogue and uses large gestures; youthful Ellis, however, often speaks too softly and indistinctly to be heard.

The character of Hermin has special powers that allow him to visit heaven and to speak with Death in the form of Sebastiana. Lovely Erica Ocegueda portrays this character with gusto and verve. Beautifully costumed in a black lace gown, she commands the stage when she appears. As one character observes, “your pictures don’t do you justice.” Hermin learns that Adelino will die the next evening, but a deal is made to allow a substitution if one can be found. Aurora chooses to replace her husband in death, leaving Adelino alive but bereft. Ultimately, the two brothers offer themselves in a deadly exchange for Aurora and Adelino. Madrid, three-time winner of the Kennedy Center award for Latino playwrights, undertakes some interesting things in this play. A complex metaphor compares the details of weaving to the thread of life and death, but I found it difficult to follow. I liked the idea of representing “Star Trek” as modern mythology, but again the connections are not clear enough. Madrid’s voice is important, but this is not his strongest work.

If You Go

WHAT: “Aurora” by Leonard Madrid

WHEN: Sunday, April 20, at 6 p.m. and Saturday, April 26, at 7 p.m.

WHERE: Rodey Theatre, UNM Center for the Arts

HOW MUCH: $15 general public, $10 faculty, staff, seniors, and $8 students. Call 925-5858 for ticket information

 

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About Reviewers 

D.S. Crafts (Website)

Composer Daniel Steven Crafts came to New Mexico from San Francisco where he had hosted a classical music radio program on KPFA. His first commission from opera star Jerry Hadley, "The Song & the Slogan" based on texts by Carl Sandburg, was made into a TV program for the PBS network and aired nationally in 2004 and won an Emmy for Best Music.

His latest opera La Llorona is a collaboration with novelist Rudolfo Anaya based on his play "The Season of La Llorona."

Mr. Crafts is currently working on another commission from Jerry Hadley for a piece about the American Southwest which includes texts by Rudolfo Anaya and V.B. Price.

Two CDs of his music, Contemporaries (short, satirical keyboard works) and ARIAS (excerpts from his various operas) have been released on the BACAT label in San Francisco.


David Steinberg

David Steinberg has covered state government, the courts, city and county government in Santa Fe for the Albuquerque Journal.

He's been an arts writer for the past 20 years, and serves as the book editor, for the Journal.

Over the years, he's also acted in plays, sung in choruses and played trumpet.


Jennifer Noyer

Jennifer Noyer has been writing dance reviews for the Albuquerque Journal for 17 years, as well as contributing articles for Dance Magazine and other art journals. She trained in dance with Hanya Holm in New York City and Colorado Springs, and studied several dance techniques at the graduate level at the University of Michigan. After teaching dance at Wayne State University she entered and completed a Masters Degree in Humanities there.

In New Mexico Ms. Noyer has taught, directed, and choreographed contemporary dance for several years. Her writing on dance includes a monograph accompanying the video of choreographer Bill Evens’ ballet “The Legacy.” An overview of Evans’s world wide career, it was written and published during his tenure at the University of New Mexico.

Ms. Noyer’s studies in the humanities, and her studio dance work influence her approach to dance as an integrative art form in the United States.


Barry Gaines

Barry Gaines has taught Shakespeare in the University of New Mexico English Department for over twenty-five years and has received two outstanding teaching awards.

He has written theater reviews for the Journal since 2000. He has attended theater all over the world including Shakespeare productions in Russia, South Africa, Denmark, and Poland. He has also served as literary advisor for two professional theater companies and written performance reviews for Shakespeare Quarterly.

Gaines has taken two years of acting with Paul Ford and appeared in small parts in three plays at the Albuquerque Little Theater. He believes that he is probably a better reviewer than actor.


Joanne Sheehy Hoover

Joanne Sheehy Hoover, music critic emeritus of the Albuquerque Journal, has written for NPR, PBS, the Lyric Opera of Chicago, the National Endowment for the Arts and the National Symphony, among others.

She has also been a music lecturer for the Smithsonian Associates and a music critic and arts writer for The Washington Post. She was director of the Levine School of Music, one of the country’s largest community music schools, in Washington, D. C. 1980-1993.

She and her husband moved to Corrales, New Mexico in July 1993. Also a poet, her fifth collection, “Einstein in New Mexico,” was published in 2002.

 

 


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