Home Entertainment Reviews Review: Cowboys Are My Weakness by Pam Houston (May 3)
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Review: Cowboys Are My Weakness by Pam Houston (May 3) |
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Written by Barry Gaines
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Saturday, 03 May 2008 |
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I am happy to report that the whispered concerns about the decline of Tricklock Company are groundless. This energetic and innovative troupe again performs with commendable acting and directing skills, introducing to Albuquerque a new genre, an amalgamation of short story and play.
At UNM’s Rodey Theatre Tricklock is presenting “Cowboys Are My Weakness,” a quintet of short stories from Pam Houston’s collection of the same title, conceived and adapted for the stage by Myra Platt. Platt’s adaptation was produced and developed in 1998 by Book-It Repertory, a Seattle-based company that has presented over fifty similar adaptations throughout Washington state. Pam Houston, an opening night guest, writes literate stories that are psychologically and geographically rich, and Platt’s dramatic treatments are ideal to showcase Tricklock talent. Dodie Montgomery, herself an excellent actress, makes her directorial debut with “Cowboys”; she acted in the original production. Author Houston writes, “We invent ourselves through our stories, and in a similar way, the stories we tell put walls around our lives.” Houston’s narrates the quest for excitement and love from the woman’s point of view, and most of the men in her tales are held up against the iconic image of the cowboy—and found wanting. The audience enters Rodey to find a trio of musicians atop a section of Richard K. Hess’s multilevel set. Don Bicknell plays guitar and harmonica, Casey Mraz alternates banjo and guitar, and Aleah Waldron sings country standards (and plays the mandolin). These performers remain on stage, providing musical commentary, sound effects, and occasionally joining the dialogue and action. In “How to Talk to a Hunter,” Summer Olsson plays a woman attracted to a rugged hunter portrayed by hunky newcomer Drew Pollock. Making December love under a moose hide, our heroine is willing to overlook his faults (like donating money to the Republicans). When, however, he shares his moose skin with free-spirited Janie Coyote (Kerry Morrigan), our heroine is crushed. Her best friend sums up the situation: “They lie to us, they cheat on us, and we love them more for it.” “It’s our fault; we raise them to be like that.” The title story treats a similar situation with Kate Schroeder as a woman attracted in turn by an obsessed naturalist (Kevin R. Elder), a sensitive and sensible rancher (Chad Brummett), and a handsome cowboy who’d rather chew than kiss (Pollock). “For Bo” is a delightful change of pace where Olsson and Elder play a dog-loving couple who survive a visit from her mother and sister. My favorite segment is “Selway,” a terrifying trip down a treacherously swollen river by a veteran high-water rafter and his girlfriend. Dodie Montgomery’s clever direction, William Liotta’s evocative lighting design, and the excellent acting skills of Kerry Morrigan and Chad Brummett combine to produce a harrowing whitewater adventure and an insightful treatment of relationships. Tricklock is back! If You Go WHAT: “Cowboys Are My Weakness” by Pam Houston WHEN: Thursday, Friday and Saturday at 8 p.m. and Sundays at 2 p.m. through May 18 WHERE: Rodey Theatre, UNM Center for the Arts HOW MUCH: $18 general public, $12 students and seniors, and $5 student rush. Call 925-5858 for ticket information
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About Reviewers D.S. Crafts (Website) Composer Daniel Steven Crafts came to New Mexico from San Francisco where he had hosted a classical music radio program on KPFA. His first commission from opera star Jerry Hadley, "The Song & the Slogan" based on texts by Carl Sandburg, was made into a TV program for the PBS network and aired nationally in 2004 and won an Emmy for Best Music. His latest opera La Llorona is a collaboration with novelist Rudolfo Anaya based on his play "The Season of La Llorona." Mr. Crafts is currently working on another commission from Jerry Hadley for a piece about the American Southwest which includes texts by Rudolfo Anaya and V.B. Price. Two CDs of his music, Contemporaries (short, satirical keyboard works) and ARIAS (excerpts from his various operas) have been released on the BACAT label in San Francisco.
David Steinberg David Steinberg has covered state government, the courts, city and county government in Santa Fe for the Albuquerque Journal. He's been an arts writer for the past 20 years, and serves as the book editor, for the Journal. Over the years, he's also acted in plays, sung in choruses and played trumpet.
Jennifer Noyer Jennifer Noyer has been writing dance reviews for the Albuquerque Journal for 17 years, as well as contributing articles for Dance Magazine and other art journals. She trained in dance with Hanya Holm in New York City and Colorado Springs, and studied several dance techniques at the graduate level at the University of Michigan. After teaching dance at Wayne State University she entered and completed a Masters Degree in Humanities there. In New Mexico Ms. Noyer has taught, directed, and choreographed contemporary dance for several years. Her writing on dance includes a monograph accompanying the video of choreographer Bill Evens’ ballet “The Legacy.” An overview of Evans’s world wide career, it was written and published during his tenure at the University of New Mexico. Ms. Noyer’s studies in the humanities, and her studio dance work influence her approach to dance as an integrative art form in the United States.
Barry Gaines Barry Gaines has taught Shakespeare in the University of New Mexico English Department for over twenty-five years and has received two outstanding teaching awards. He has written theater reviews for the Journal since 2000. He has attended theater all over the world including Shakespeare productions in Russia, South Africa, Denmark, and Poland. He has also served as literary advisor for two professional theater companies and written performance reviews for Shakespeare Quarterly. Gaines has taken two years of acting with Paul Ford and appeared in small parts in three plays at the Albuquerque Little Theater. He believes that he is probably a better reviewer than actor.
Joanne Sheehy Hoover Joanne Sheehy Hoover, music critic emeritus of the Albuquerque Journal, has written for NPR, PBS, the Lyric Opera of Chicago, the National Endowment for the Arts and the National Symphony, among others. She has also been a music lecturer for the Smithsonian Associates and a music critic and arts writer for The Washington Post. She was director of the Levine School of Music, one of the country’s largest community music schools, in Washington, D. C. 1980-1993. She and her husband moved to Corrales, New Mexico in July 1993. Also a poet, her fifth collection, “Einstein in New Mexico,” was published in 2002.
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