Home Entertainment Reviews Review: You Can’t Take It With You (June 9)
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Review: You Can’t Take It With You (June 9) |
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Written by Marissa Greenberg
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last updated Monday, June 09, 2008, at 18:14:56
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“You Can’t Take It With You,” by Moss Hart and George S. Kaufman, endorses those things that, well, you can’t take with you. The play celebrates family, friendship and fun and disparages worldly belongings, wealth and prestige. Leslie Joy Coleman (Director) chose the 1936 play for the Desert Rose Playhouse because of this timeless theme. Yet the play is surprisingly timely and speaks to current concerns.
For a play dismissive of possessions, “You Can’t Take It With You” demands a great deal of stuff. The play takes place in the New York City home of Martin Vanderhof, affectionately called Grandpa by almost everyone. Filling the set are (among other things) a xylophone, live kittens, caged snakes, a dish of candy, fireworks, a painter’s easel and a table, chairs and place settings for at least 8 people. This accumulation of props indicates not the characters’ materiality but their sources of pleasure. For example, Grandpa’s daughter, Penny Sycamore, has been writing plays for 8 years on a typewriter that was delivered to the house by accident. The characters lovingly encourage one another’s hobbies, though Grandpa’s affinity for college commencements remains inexplicable, Penny’s plays are silly and her daughter Essie’s dancing is graceless. The large cast’s well-paced and energetic performances make the 3-hour play, including intermissions, fly by. Cheryl Bruce encapsulates Penny’s frenetic energy. Beth Gautreaux unabashedly performs Essie’s awkwardness. Jon Cooper gives a wonderfully subtle performance as Mr. De Pinna, who delivered ice to the house years before and never left. Cooper’s character appears less eccentric than the rest, though several fireworks and a toga later, we know better. Accolades must go to Cliff Cato as Grandpa. Cato achieves a magnificent balance of eccentricity, profundity and self-awareness. Cato renders Grandpa the most accessible and relatable character in the play, even more so than those who remain immured in worldly values. Coleman’s decision to remain faithful to the original staging and language is well executed. Updating the play might have made the topicality of its themes more apparent. “You Can’t Take It With You” addresses distrust of the government, domestic terrorism, foreign conflicts and racial and class divisions. Hart and Kaufman’s Pulitzer Prize-winning play spoke to audiences who had endured the Depression, the Great War and the Russian Revolution, and it continues to speak to us today. If You Go: WHAT: “You Can’t Take It With You” by Moss Hart and George S. Kaufman WHEN: June 6-June 29, Fridays and Saturdays at 8 p.m. and Sundays at 4 p.m. WHERE: Desert Rose Playhouse, 6921 Montgomery NE HOW MUCH: $12 for all tickets. Call 881-0503 for reservations or information.
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About Reviewers D.S. Crafts (Website) Composer Daniel Steven Crafts came to New Mexico from San Francisco where he had hosted a classical music radio program on KPFA. His first commission from opera star Jerry Hadley, "The Song & the Slogan" based on texts by Carl Sandburg, was made into a TV program for the PBS network and aired nationally in 2004 and won an Emmy for Best Music. His latest opera La Llorona is a collaboration with novelist Rudolfo Anaya based on his play "The Season of La Llorona." Mr. Crafts is currently working on another commission from Jerry Hadley for a piece about the American Southwest which includes texts by Rudolfo Anaya and V.B. Price. Two CDs of his music, Contemporaries (short, satirical keyboard works) and ARIAS (excerpts from his various operas) have been released on the BACAT label in San Francisco.
David Steinberg David Steinberg has covered state government, the courts, city and county government in Santa Fe for the Albuquerque Journal. He's been an arts writer for the past 20 years, and serves as the book editor, for the Journal. Over the years, he's also acted in plays, sung in choruses and played trumpet.
Jennifer Noyer Jennifer Noyer has been writing dance reviews for the Albuquerque Journal for 17 years, as well as contributing articles for Dance Magazine and other art journals. She trained in dance with Hanya Holm in New York City and Colorado Springs, and studied several dance techniques at the graduate level at the University of Michigan. After teaching dance at Wayne State University she entered and completed a Masters Degree in Humanities there. In New Mexico Ms. Noyer has taught, directed, and choreographed contemporary dance for several years. Her writing on dance includes a monograph accompanying the video of choreographer Bill Evens’ ballet “The Legacy.” An overview of Evans’s world wide career, it was written and published during his tenure at the University of New Mexico. Ms. Noyer’s studies in the humanities, and her studio dance work influence her approach to dance as an integrative art form in the United States.
Barry Gaines Barry Gaines has taught Shakespeare in the University of New Mexico English Department for over twenty-five years and has received two outstanding teaching awards. He has written theater reviews for the Journal since 2000. He has attended theater all over the world including Shakespeare productions in Russia, South Africa, Denmark, and Poland. He has also served as literary advisor for two professional theater companies and written performance reviews for Shakespeare Quarterly. Gaines has taken two years of acting with Paul Ford and appeared in small parts in three plays at the Albuquerque Little Theater. He believes that he is probably a better reviewer than actor.
Joanne Sheehy Hoover Joanne Sheehy Hoover, music critic emeritus of the Albuquerque Journal, has written for NPR, PBS, the Lyric Opera of Chicago, the National Endowment for the Arts and the National Symphony, among others. She has also been a music lecturer for the Smithsonian Associates and a music critic and arts writer for The Washington Post. She was director of the Levine School of Music, one of the country’s largest community music schools, in Washington, D. C. 1980-1993. She and her husband moved to Corrales, New Mexico in July 1993. Also a poet, her fifth collection, “Einstein in New Mexico,” was published in 2002.
Marissa Greenberg Marissa Greenberg is a member of the faculty of the University of New Mexico English Department, where she teaches Shakespeare and early English literature. A prior guest reviewer for the Albuquerque Journal, Greenberg will be reviewing theater while Barry Gaines is out of town. She also composed and edited the program notes for last year’s Albuquerque Shakespeare Festival and has written performance reviews for Shakespeare Bulletin. A graduate of Columbia University and the University of Pennsylvania, Greenberg has been performing and studying drama for most of her life. She is thrilled to have this opportunity to review for the Journal.
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