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Vengeance with a splash of magic: ’47 Ronin’ is short on authenticity

One of the defining fables of pre-modern Japan, the tale of the 47 ronin has been filmed many times in that country. Yet, somehow no previous director thought to include rampaging supernatural beasts, a shape-shifting witch or Keanu Reeves.

Those last three are prominent in “47 Ronin,” Hollywood’s first stab at the samurai tale. It’s big and brawling yet often dull, with about as much genuine Japanese character as a food-court teriyaki stand. The cast is mostly Japanese, but chosen from the small list of actors with recent credits in mainstream American movies.

The original story pivots on vengeance, but also things that give Hollywood hives, such as patience and discipline. Noble Lord Asano is goaded into a confrontation with devious Lord Kira. Asano attacks Kira, and as punishment is required to commit seppuku (ritual suicide). His 47 loyal retainers – now ronin, meaning masterless samurai – pretend to accept the judgment. But secretly they plan Kira’s doom, knowing that success must be followed by their own seppuku.

This version incorporates much of that plot but juices it with magic. Working for Kira (“Battleship’s” Tadanobu Asano), smirking sorceress Mizuki (“Pacific Rim’s” Rinko Kikuchi) bewitches Asano into attacking him. Retribution is plotted by Oishi (“The Wolverine’s” Hiroyuki Sanada) and Kai (Reeves), a “half-breed” who was raised by tengu, one of the many varieties of form-changing critters in Japanese lore.

Outsider Kai is initially rejected by the samurai but is adored by Mika (Ko Shibasaki), Lord Asano’s daughter. She’s going to be married to Kira, which might be one reason lovestruck Kai is keen to join the revenge scheme. The probability of seppuku reduces the likelihood of happily-ever-after for the couple but adds a “Romeo and Juliet” element.

“47 Ronin” toggles between landscapes that appear European – shot in Hungary – and CGI backdrops that resemble China more than Japan. The result makes such anti-historical movies as “The Last Samurai” look fastidious by comparison.