David Johansen, singer from the seminal punk band the New York Dolls, dies at 75

Obit-David Johansen
Rock group The New York Dolls performs at the Waldorf Halloween Ball, Waldorf-Astoria Hotel, New York City, on Oct. 31, 1973. At right is lead singer David Johansen, with guitarist Sylvain Sylvain.
Obit-David Johansen
David Johansen
Obit-David Johansen
Buster Poindexter is seen at the Grammy Awards in New York's Radio City Music Hall, March 2, 1988.
Obit-David Johansen
The New York Dolls are photographed in New York, July 25, 2006. From left are David Johansen, Sami Yaffa, Steve Conte, Sylvain Sylvain, Brian Delaney, rear, and Brian Koonin.
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NEW YORK — David Johansen, the wiry, gravelly-voiced singer and last surviving member of the glam and protopunk band the New York Dolls who later performed as his campy, pompadoured alter ego, Buster Poindexter, has died. He was 75.

Johansen died Friday at his home in New York City, Jeff Kilgour, a family spokesperson, told The Associated Press. It was revealed in early 2025 that he had stage 4 cancer and a brain tumor.

The New York Dolls were forerunners of punk and the band’s style — teased hair, women’s clothes and lots of makeup — inspired the glam movement that took up residence in heavy metal a decade later in bands like Faster Pussycat and Mötley Crüe.

“When you’re an artist, the main thing you want to do is inspire people, so if you succeed in doing that, it’s pretty gratifying,” Johansen told The Knoxville News-Sentinel in 2011.

Guitarist Steve Stevens, a kid from Queens who went on to work with Billy Idol and Robert Palmer, said the Dolls were never about technique: “It was always about the sound of the subway, the stinking, overflowing garbage cans, the misfits of Times Square. The Dolls did it to perfection. Safe travels David Johansen,” he wrote on X.

Rolling Stone once called the Dolls “the mutant children of the hydrogen age” and Vogue called them the “darlings of downtown style, tarted-up toughs in boas and heels.”

“The New York Dolls were more than musicians; they were a phenomenon. They drew on old rock ‘n’ roll, big-city blues, show tunes, the Rolling Stones and girl groups, and that was just for starters,” Bill Bentley wrote in “Smithsonian Rock and Roll: Live and Unseen.”

The band never found commercial success and was torn by internal strife and drug addictions, breaking up after two albums by the middle of the decade. In 2004, former Smiths frontman and Dolls admirer Morrissey convinced Johansen and other surviving members to regroup for the Meltdown Festival in England, leading to three more studio albums.

In the ‘80s, Johansen assumed the persona of Buster Poindexter, a pompadour-styled lounge lizard who had a hit with the kitschy party single “Hot, Hot, Hot” in 1987. He also appeared in such movies as “Candy Mountain,” “Let It Ride,” “Married to the Mob” and had a memorable turn as the Ghost of Christmas Past in Bill Murray-led hit “Scrooged.”

Johansen was in 2023 the subject of Martin Scorsese and David Tedeschi’s documentary “Personality Crisis: One Night Only,” which mixed footage of his two-night stand at the Café Carlyle in January 2020 with flashbacks through his wildly varied career and intimate interviews.

“I used to think about my voice like: ‘What’s it gonna sound like? What’s it going to be when I do this song?’ And I’d get myself into a knot about it,” Johansen told The Associated Press in 2023. “At some point in my life, I decided: ‘Just sing the (expletive) song. With whatever you got.’ To me, I go on stage and whatever mood I’m in, I just claw my way out of it, essentially.”

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