In Review roundup Installation view of “Realms of Seduction” at Inhabit Galerie in Corrales. “Lilith #20,” Fritz Scholder, 1993. “Untitled,” Robert Storr, 1983. Published November 9, 2025 - 4:00 p.m. Modified November 9, 2025 - 4:00 p.m. As featured on - In Review roundup: 'Realms of Seduction,' 'For Piet’s Sake — Old and New Paintings: Robert Storr' and 'Fritz Scholder: Diversity of Brilliance' From the review: CORRALES — “The Orient,” that vast region stretching from North Africa to South Asia, was “almost a European invention,” Edward Said wrote in his groundbreaking 1978 book, “Orientalism.” The idea of a Muslim world full of exotic, hypersexualized beings was always a colonialist fantasy, kept alive by centuries of European writers and artists, including Jean-Léon Gérôme, whose 1880 painting of a nude snake charmer graced Said’s book’s original cover. collection_b8fd64ba-d713-4abc-9bef-ae07a14eab7e.html
As featured on - In Review roundup: 'Realms of Seduction,' 'For Piet’s Sake — Old and New Paintings: Robert Storr' and 'Fritz Scholder: Diversity of Brilliance' From the review: CORRALES — “The Orient,” that vast region stretching from North Africa to South Asia, was “almost a European invention,” Edward Said wrote in his groundbreaking 1978 book, “Orientalism.” The idea of a Muslim world full of exotic, hypersexualized beings was always a colonialist fantasy, kept alive by centuries of European writers and artists, including Jean-Léon Gérôme, whose 1880 painting of a nude snake charmer graced Said’s book’s original cover.
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