Form is emptiness, or .... How I learned to stop worrying and love Karen Yank's art "Realization," Karen Yank, part of "Lessons in Abstraction" at Turner Carol Gallery. "Silhouette VII," Karen Yank, part of the exhibition "Lessons in Abstraction" at Turner Carroll Gallery. “View,” Karen Yank, part of the exhibition “Lessons in Abstraction” at Turner Carroll Gallery. "Silhouette VIII," Karen Yank, part of "Lessons in Abstraction" at Turner Carol Gallery. “Print from Stedelijk Portfolio,” Agnes Martin, part of the exhibition “Lessons in Abstraction” at Turner Carroll Gallery. Detail of “Circle and the Square,” Karen Yank, part of “Lessons in Abstraction” at Turner Carroll Gallery. “Favor,” Karen Yank, part of the exhibition “Lessons in Abstraction” at Turner Carroll Gallery. Published October 12, 2025 - 10:00 a.m. Modified October 12, 2025 - 10:00 a.m. As featured on - Form is emptiness, or .... How I learned to stop worrying and love Karen Yank's art From the review: At first glance, Karen Yank’s welded steel wall pieces in “Lessons in Abstraction” resemble locked bank vaults or armored gates. But appearances can be deceptive. In a previous review of the show “Abstracting Nature” at the Albuquerque Museum, I compared her floor sculptures to Tesla Cybertrucks. collection_7a9d6165-1c76-4d68-ac2e-2acd5622a106.html
As featured on - Form is emptiness, or .... How I learned to stop worrying and love Karen Yank's art From the review: At first glance, Karen Yank’s welded steel wall pieces in “Lessons in Abstraction” resemble locked bank vaults or armored gates. But appearances can be deceptive. In a previous review of the show “Abstracting Nature” at the Albuquerque Museum, I compared her floor sculptures to Tesla Cybertrucks.
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